Girdle, Escher, Bach and the Incompleteness of the Discourse on the Method of the Camel-Tow; or the Unofficial Mandate to Maintain the Silk Ro(a)d Between Copula and Copulation at All Costs (i.e., the Axiomatic Extension of the E[r]go Sum Game of the Cartesian Caravan)
Series: “Manifest Ecstasy and the Way-Out West (Vitruvian Colonies)” (2019-).
Charcoal, Chalk, and Oil-stick on Paper: 35,6cm x 43,2cm (14in. x 17in.). [2020] |
Trying-to Put My Puppets on the Projective Plane, but Ending-up Making Man-Hole Covers to Complement Your Closures; or the T(r)ied and Chewed Method for Testing the Validity of Varicose Veins in a Time After Territory (an Extra-Terrestrial Topography on the Last Leg of the Space Race)
Series: “Manifest Ecstasy and the Way-Out West (Vitruvian Colonies)” (2019-).
Charcoal and Oil-stick on Paper: 43,2cm x 35,6cm (17in. x 14in.). [2020] |
The False Subtlety of the Four Syllogistic Figures in (the Venn Diagrams of) the Fifth Element; or How to Pre-date Predicate Logic (After the Fact) in the First Order of Figuration.
Series: “Manifest Ecstasy and the Way-Out West (Vitruvian Colonies)” (2019-)
<Kant, “The False Subtlety of the Four Syllogistic Figures” (c.1762).>
Charcoal, Chalk, Oil, Oil-stick, Oil-based Pencil, and Oil-Pastel on Paper: 43,2cm x 35,6cm (17in. x 14in.). [2020] |