Deerly Beloved ‘Till Debt Do Us Part—or, What the Corinthians Said to St. Paul When They Couldn’t Read His Writing (and All the Other Reasons Why We Are Gathered Here Today)
> Reisig and Taylor Contemporary: “And the Night is also a Sun” (March-May 2022).
No. 0010 in series: “Green Dahlias” (2020-).
<Study after Gerhard Richter, “Hirsch” (‘Deer’) (c.1963).>
Charcoal and Chalk on Paper: 35,6cm x 43,2cm (14in. x 17in.). [2021] |
A Diagram for the Deer that Watches You Die—and All the Other Ways that Death Do Us Part.
Series: “Green Dahlias” (2020-).
<Study after Gerhard Richter, “Hirsch” (‘Deer’) (c.1963).>
Charcoal and Chalk on Paper: 35,6cm x 43,2cm (14in. x 17in.). [2020] |
Freakin’ on the Flo(w) and Making (the) Toilet W(h)ine on the Government’s Dime; or Instructions for How to Bail-out Your Half-Bath Before Your Footwork Fails You on the Back-Splash.
Series: “Green Dahlias” (2020-).
<DJ Rashad, “Freakin Me on the Flo” (Single; c.2008).>
Charcoal, Chalk, Oil, Oil-based Pencil, and Oil-Pastel on Paper: 22,9cm x 30,5cm (9in. x 12in.). [2020] |
Learning Olde English from Dummies and Arsonists; or How to Stop, Drop, and Role while Maintaining Rank as a Human Mannequin.
Series: “Green Dahlias” (2020-).
Charcoal, Chalk, Oil, and Oil-Pastel on Paper: 21,6cm x 14cm (8.5in. x 5.5in.). [2020] |